Beyond Work

I’m an architect based in Santa Fe, New Mexico, focused on public and educational design. Outside of work, I spend time working on our house and yard, reading mostly fiction, and raising a fiercely imaginative kid with my wife and best friend. We’ve been thinking a great deal about New Zealand lately— maybe a move— until then, I’m designing for resilience, clarity, and context.

The Books I Return To

Reading is an essential part of my life. It’s a way of understanding many of the things that often trouble me. Nabokov famously said, "One does not read a book: one can only reread it." And that makes sense to me as I mine new understanding from each reading. Come to think of it, Nabokov should be on this list, too.


  • I reread V. to trace the boundary where technology disfigures life. It’s about what’s lost when the “animate” is pulled toward the “inanimate” (as Pynchon refers to life vs technology). It’s a haunting vision (reminder?) of progress as entropy.

  • This reminds me that attention is everything. It’s a meditation on boredom, discipline, and the costs of obsession… and how quiet effort might actually be heroic. At least I sure hope it is sometimes…

  • This is the book I read when I want to remember that human perception is insufficient. And that materialism especially is insufficient. It’s a dream logic meditation on futility and transcendence. The first book that felt addressed to me, personally. And the book that got me into Romanian literature.

  • I reread this for its controlled chaos. It’s a study in systems, power, and the illusion of free will. It questions whether everything is connected or nothing is (paranoia vs anti-paranoia as he sometimes puts it)… something I think about a lot.

  • This is the reminder that one perspective is never enough. It’s a layered view of obsession, failure, and our doomed efforts to control what we can’t even fully perceive. I might just have a tattoo of a Ecuadorian gold doubloon… if you know, you know.

  • I reread Suttree for the language. It’s an aesthetic experience unmatched even by others on this list. Beneath its drift through loss, poverty, and detachment is an atheistic vision of the world: indifferent, unadorned, and often absurd. Funny as hell, too.

  • I reread this as a psychological case study in how intellect and isolation can curdle into something toxic. It’s an unsettling portrait of self-justification, resentment, and the slow construction of a closed system of thought — and a reminder that inner architecture matters as much as outer.

  • Because everything is addictive, and the structures that pretend to connect us often isolate us instead. A bit depressing, I know, but resonant.

  • A book about mapping the world and dividing it — and how that urge both defines and damages American culture. It’s funny, tragic, and endlessly smart. Pynchon’s best characters are found here as I tend to agree his characters in other works are just personified concepts.

  • I come back to this because its the best informal case study of architecture in some ways. Also for its core question: how do we map the interior? It’s a book about a house that makes no sense, and about the psychological architecture we build to contain what can’t be measured. There’s something raw about fear, grief, and spatial unease here. Yes, the spatial unease is fascinating here.

  • I reread this for how it strips away the veneer of civilization. It’s a descent into the machinery of colonialism where language, commerce, and morality collapse under the pressure of exploitation. Its power lies in how little it resolves, and how much it expose. So… bedtime reading.

  • I reread this for how it fractures and refracts perspective (a theme in my fav books). Each voice distorts time, memory, and meaning in its own way, revealing how much can be lost or misunderstood depending on who's speaking. It’s a book that demands rereading just to begin hearing what wasn’t said the first time.